From Plato to Lyndon LaRouche, the fallacy of sense perception has been the foundational topic for the advancement of mankind in all of humanity's past. This interactive report covers the boundaries of sight, hearing and language, which leads us to look to the famous Helen Keller to answer the question: what really is mind, after all?
In this third and final installment of the Who We Fight Series, we look at the relationship between John F. Kennedy and the WWII generation in fighting the British Empire.
For the previous installments of the Who We Fight series, see:
Episode I: Empire Strikes
Episode II: The Organization Men
LaRouche Democrat Diane Sare asks about written and spoken language, creativity, and the transmission of ideas from one mind to another. Kesha Rogers, also a LaRouche Democrat, poses a question about the scientific nature of metaphor.
Lyndon LaRouche keynoted the Jan. 19 2004 Martin Luther King Prayer Breakfast, sponsored by the Talladega County (Alabama) Democratic Conference. City Councilman Rev. Horace Patterson introduced the first speaker, civil rights heroine Amelia Boynton Robinson, then vice chairman of the Schiller Institute, who in turn introduced LaRouche.
A presentation by Shawna Halevy at LPAC Symposium in NJ.
What is human immortality, truly? What challenges for politics and economy does the galaxy have for those bold enough to defy Obama and the British Empire? Is the ability to have a passionate connection to the geniuses of a nation, and their ideas, across history, and the Promethean application of those ideas, the way to understand non-linear time?
Harley Schlanger and My-Hoa Steger discuss the destructive role of Richard Wagner in his stated commitment to destroy all forms of Classical beauty, by reducing the philosophy of art to conform to his degraded conception of humanity as bestial. As a contemporary to Robert and Clara Schumann, Harley and My-Hoa do not miss the significance of the Schumann's role in challenging Wagner and his school, and propose that were it not for their determination, the classics of Beethoven, Bach, and Mozart may have very well been otherwise destroyed. The discussion also includes a precise introduction to Bach's revolution in counterpoint.
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